This week we’re diving into the guitar break from Glen Campbell’s live performance of “Gentle on My Mind.” 🎶 His smooth country phrasing and technical mastery make this a must-learn for any guitarist looking to level up their soloing skills.
Watch the live version here: https://www.youtube.com/watch?v=ETkzK9pXMio
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This week’s featured lick is a fiery blues phrase with expressive bends from Jeff Beck’s “Cause We’ve Ended as Lovers.” It’s perfect for sharpening your speed and bending technique while soaking up Beck’s unmistakable style.
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This week’s Monday Lick Fix dives into a fiery chromatic lick from one of my favourite guitarists, John Scofield, taken from his incredible track “Just Don’t Want to Be Lonely.” His phrasing and creativity never fail to amaze me, and this lick is a perfect snapshot of his unique genius.
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This week we’re diving into a soulful blues lick from B.B. King’s iconic “Sweet Little Angel,” recorded live at the Regal Theatre in Chicago in 1964. Often hailed as one of the greatest live blues performances ever captured, Live at the Regal showcases B.B.’s unmatched ability to blend heartfelt emotion with masterful technique.
The lick we’re exploring—heard at 2:59 in the performance—is a perfect example of his expressive phrasing and economy of notes, proving that sometimes less really is more. It’s a brilliant way to study his signature bends, vibrato, and melodic storytelling on the guitar.
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This week, we’re diving into a legendary blues lick from Jimi Hendrix’s “Red House”. Recorded in 1966 and featured on his debut album, Are You Experienced (released in 1967), this track is a masterclass in blending traditional blues with Hendrix’s innovative guitar style.
This lick, found at 1:27 in the song, is based on the minor pentatonic scale and can be easily adapted to any key—just slide it up or down the neck to fit your playing!
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Click here to join my free members area and download all the TABS—keep learning and playing along!