How to memorise every note on the guitar

Learning the notes on your guitar is essential if you want to progress as a guitarist—or as a musician in general. Many guitarists start by learning through tablature, using numbers to guide finger placement. While this is a helpful starting point, relying solely on tabs can hold you back when playing with other musicians or learning songs written in standard notation.


Each fret is a note.jpg

STEP 1 - UNDERSTAND WHAT A NOTE IS

This might seem obvious, but many guitarists confuse terms like “minor” and “major” with a note. A note is simply a single letter—A through G—that may have a sharp (#) or flat (♭) next to it (we’ll cover this in more detail in the following steps). Each letter represents a specific pitch, which corresponds to a fret on your guitar. The frets are the spaces between the metal bars on the neck, and pressing a string down at a fret changes the pitch, creating the note you want.


STEP 2 - LEARN THE NAMES OF THE NOTES

There are 12 notes on your guitar. They are:

A, A# or B♭, B, C, C# or D♭, D, D# or E♭, E, F, F# or G♭, G, G# or A♭

The # stands for SHARP

The ♭ stands for FLAT

Sometimes seeing this sequence on a piano can help you to visualise how this works out.

Practice saying the sequence out loud and then write all 12 notes out by memory 5 times.


STEP 3 - Play this SEQUENCE while saying the note names ON THE E and A STRINGS

There is something about saying these notes out loud that helps get the sequence into your head.

Starting on the A strings:

the open string is A, First FRET is A# or B♭, second fret is B, third fret is C and so on…

Then jump to the E string: the open string is E, the 1st fret is F, the 2nd fret is F# (or G♭), the 3rd fret is G, and so on.


Memorise the 3rd, 5th & 7th Frets on the E and A Strings

Next, we need to speed up the time it takes to figure out where a note is on the guitar. The first step is to memorise the 3rd, 5th, and 7th fret names on the E and A strings.

Say them out loud, write them down, play the frets—whatever it takes to get them firmly in your head!

On the E string -

And then on the A String, do the same thing -

Memorising these six notes will speed up your navigation of the fretboard. For example, if you want to play a C#, you can first locate the C (3rd fret on the A string) and then move up one fret. Similarly, if you need an A#, start at the A (5th fret on the E string) and move up one fret.

Try some random note challenges and see how quickly you can find them on these two strings.


FINALLY, ONCE YOU HAVE DONE ALL THAT, LEARN THIS SEQUENCE

The next sequence will help you find all the notes of the same name across the entire guitar.

First, try it in the key of G, moving up and down the guitar:

Once you have this memorised, try it in every key—again, back and forth. Here it is in the key of A:

Hopefully this is all making sense, and you are starting to navigate around the fretboard knowing the notes you are playing.


NOW TEST YOURSELF WITH RANDOM NOTES

The best way to get super quick at this is to tie together the two main things you’ve learned. First, whenever you want to find a note, relate everything back to the E or A string.

For instance, if you are trying to figure out a note on the B string, use the sequence you just learned to navigate back up to the E string.

As an example, if you were trying to figure out what the notes are on the 6th and 8th frets of the B string, this is how you would do it…

This will also work when trying to figure out notes on the G string. For instance if you are trying to find the 6th and 8th frets on the G String, this is how you would do it…

By now, you should—maybe without even realising it—be able to locate and identify any note on the fretboard.

Practice and get quick!

That’s basically it! That is the secret. Now, you just need to put it into practice and build speed.

Good luck, and don’t forget to share this article if it’s helped you!


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The first scale every guitarist should learn...

There are literally hundreds of scales you can learn on guitar. But where do you start? What’s the best scale to start with? Major scale? Minor Scale? Dorian? Phrygian? Harmonic Minor? Blues scale?

I’d like to make a suggestion and say you should learn the minor pentatonic scale… Why?

The Minor Pentatonic is one of the most popular scales for all styles of music when improvising and playing solos. Some of your favourite solos may even just use this scale the whole way through. The scale has 5 notes in it and is the perfect scale to give you a great foundation to learn others.


FIRST LEARN EACH SHAPE


Exercise 1 - G Minor Pentatonic Scale (E Shape)


Exercise 2 - G Minor Pentatonic Scale (D Shape)

Exercise 3 - G minor pentatonic scale (C Shape)

G minor C Shape.jpg

Exercise 4 - G minor pentatonic scale (A Shape)

Exercise 5 - G minor pentatonic scale (G Shape)

 

THEN PRACTICE EACH SHAPE STARTING FROM THE ROOT NOTE

Exercise 6 - G minor pentatonic scale (E Shape) - from the root

Exercise 7 - G minor pentatonic scale (D Shape) - from the root

Exercise 8 - G minor pentatonic scale (C Shape) - from the root

CAGED Minor Pentatonic Scale in Gm C Shape tab.png

Exercise 9 - G minor pentatonic scale (A Shape) - from the root

Exercise 10 - G minor pentatonic scale (G Shape) - from the root

 

ONCE YOU HAVE THESE DOWN, EXPERIMENT WITH MOVING THEM AROUND TO DIFFERENT KEYS AND IMPROVISE OVER SOME BACKING TRACKS.

We are in the key of G minor, so first start there! Here is a backing track for you play over. Get each position memorised in your head.

LOOK OUT FOR MORE ARTICLES ON GUITARPUSH FOR HOW TO USE THIS SCALE!


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Introduction to Arpeggios and How to Use Them!

Arpeggios are great things to make you start understanding chords and the notes within them. A lot of guitarists spend most of their time worrying about lead playing, using licks and solos and trying to play faster and faster (I don’t blame you, it’s fun!!). However it is really important as a guitarist to think about chords and you will actually find your lead playing improves as a result.

So what is an arpeggio? An arpeggio is playing all the notes from a chord in sequence. Lets look at some chord formulas... 

CHORD FORMULAS

Let's learn some chord types in C major as the C major scale has no sharps or flats so you are only using the white notes on a piano.

Major – 1 3 5

 

Minor – 1 ♭3 5

Dominant 7th - 1 3 5 ♭7

 

Next let's learn these chords on the guitar. This time listen to how each chord sounds. The major chord should sound happy, minor is sad, a dominant chord wants to resolve and a diminished chord should sound dark! But make your own mind up!

 

C major – C E G

 
 

C7 – C E G B♭

 
 

C minor – C E♭G

 
 

C Diminished – C E♭ G♭

 
 

LEARNING THE CHORDS – KEY OF A MAJOR

If we are in the key of A major (which has 3 sharps - F#, C#, G#), we can us the chords A major (CHORD I), C#minor (CHORD iii), E7 (CHORD V) and G#diminished (CHORD VII).

 
 

The first thing we should do when learning arpeggios is to learn how to play the chords. There are many places to play each of these chords, but I have decided to stick to one section of the neck. This is a great way to start really understanding the different areas of the neck, by singling out the sections.

A major

E dominant 7

C# minor

G# diminished

(QUICK TIP- Diminished chords can be moved up 3 frets on a guitar and the chord is the same!)

Make sure you use your ear and really listen to each chord and how it sounds.

3. ARPEGGIOS

The first arpeggio we will learn is the A major arpeggio, notice I have added the chord before each of the examples, make sure you play the chord first and then the arpeggio whilst you are learning these shapes!

Exercise 1 - A major arpeggio (E Shape)

Exercise 2  - C# minor arpeggio (A Shape)

Exercise 3 - E7 arpeggio (C Shape)

 Exercise 4 - G#diminished arpeggio (E Shape)


CREATIVE WAYS TO PRACTICE ARPEGGIOS

The following exercises are to get you playing around these arpeggios in some creative and cool sounding ways! Give them a go...

Exercise 5 - Ways to Practice Arpeggios (Pattern 1)

Exercise 6 - Ways to Practice Arpeggios (Pattern 2)

Exercise 7 - Ways to Practice Arpeggios (Pattern 3)

Exercise 8 - Ways to Practice Arpeggios (Pattern 4)

Exercise 9 - Ways to Practice Arpeggios (Pattern 5)

PLAY ALONG WITH THE BACKING TRACK

I have created a backing track with the chords in this article in the key of A major. Play through the following example and listen out for the changes and it will hopefully aid your improvisation!

FINALLY IMPROVISE!

Your final challenge is to improvise over the backing track. Use what we have learnt in this lesson to inspire your solos. Feel free to add in extra notes and play around the arpeggios. The main idea is to make it sound good! Here is my attempt:

Hopefully this has given you some things to think about with arpeggios and now you can start using these shapes in your playing. Record yourself playing over the backing track and tag #GUITARPUSH when you do so we can watch your solos!


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